The Crown Within: Nkosikhona Khumalo

Is Redefining Royalty One Runway at a Time
There is a quiet confidence that enters a room long before Nkosikhona Khumalo does.

It is not announced by applause, extravagant fashion or the shimmer of a crown. Instead, it is carried in his posture, reflected in his gaze and expressed through every deliberate step he takes. For the Bulawayo Polytechnic student, runway and pageantry model, royalty is neither inherited nor borrowed—it is an identity cultivated from within.
In an industry often captivated by glamour, perfection and fleeting trends, Khumalo is charting a different course. He is building a brand founded not on appearances alone, but on purpose, discipline and authenticity.

Every runway he walks, every photoshoot he undertakes and every pageant stage he graces becomes a statement of who he is—a young man determined to embody excellence while inspiring others to recognise their own worth.

Fashion has always been a language of self-expression, and for Khumalo it has become the vocabulary through which he tells his story. Every carefully tailored garment, every confident stride and every poised moment before the judges is an extension of a philosophy that has become central to his identity.

“Everything I do, I represent royalty because I am royal,” he says with unwavering conviction.

“People often think royalty begins with a crown, a title or recognition from others. For me, it begins long before any of that. Royalty is within me. It is in my values, my discipline, my humility and the respect I show every person I meet.”

Those words are not rehearsed for effect. They are the foundation upon which Khumalo has built his journey. As a student at Bulawayo Polytechnic, he balances academic responsibilities with the demanding world of modelling and pageantry—a world that requires resilience, consistency and an unrelenting commitment to personal growth.

While many young models chase visibility, Khumalo pursues significance.

“I don’t walk the runway simply to be seen,” he explains.

“I walk because every step tells a story. Every appearance is an opportunity to represent something greater than myself. I want people to leave remembering not only what I wore but what I stood for.”

That belief has shaped the way he approaches fashion. Rather than viewing modelling as a showcase of physical beauty, he considers it a platform for leadership.
He believes the runway is where confidence meets character, where style intersects with purpose and where authenticity ultimately outshines perfection.

Growing up in Bulawayo, Khumalo has watched Zimbabwe’s fashion and pageantry industry evolve into a vibrant space filled with emerging creatives determined to challenge conventions and redefine African excellence.

He counts himself among a new generation that refuses to be limited by geography or circumstance.

“There is incredible talent in Zimbabwe,” he says.

“Sometimes all people need is an opportunity and someone who believes in them. I want to be one of those people who reminds young dreamers that where you come from should never determine how far you can go.”

His vision extends far beyond trophies and titles. Success, to him, is measured by impact rather than accolades.

“I want to build a legacy of inspiration,” he says.

“If one young person decides to believe in themselves because they saw me pursuing my dreams fearlessly, then I have already achieved something meaningful.”

Those who have watched Khumalo on the runway often speak about his elegance, composure and commanding presence. Yet behind the polished exterior lies countless hours of preparation.

Every walk is practised. Every pose is refined. Every appearance is carefully considered.

“People only see the final performance,” he reflects.

“They don’t always see the discipline behind it. Excellence is created in the moments when nobody is watching.

That’s where confidence is born.”
His commitment to excellence is deeply connected to his understanding of royalty.

“Royalty isn’t arrogance,” he says thoughtfully.

“Royalty is humility. It’s respecting others, carrying yourself with integrity and refusing to compromise your values, even when nobody is looking. Anyone can wear expensive clothes, but not everyone can wear character.”

It is this philosophy that distinguishes Khumalo from many of his contemporaries. While fashion often celebrates transformation through clothing, he believes true transformation begins internally.

“You can put on the finest designer suit or the most beautiful garment, but if you don’t believe in yourself, it will never shine the way it should,” he says.

“Confidence is the greatest outfit anyone can wear because it cannot be bought—it is earned.”

As Zimbabwe’s creative industries continue gaining recognition across Africa, Khumalo envisions himself representing not only Bulawayo but the nation on international platforms. He dreams of walking prestigious runways, collaborating with globally respected designers and using his influence to mentor aspiring models.
“My journey is only beginning,” he says with a smile.

“Every experience prepares me for a bigger stage. I don’t chase fame—I chase purpose. When purpose leads, opportunities naturally follow.”

Beyond fashion, Khumalo hopes to become an advocate for youth empowerment, encouraging young people to embrace education, self-development and resilience. He believes success should never be confined to personal achievement but should create opportunities for others.

“I want my story to remind people that greatness starts inside you,” he says.

“Never wait for someone else to tell you you’re worthy. Never wait for permission to believe in yourself. Your value already exists.”

As the conversation draws to a close, his signature philosophy returns—not as a slogan, but as a way of life.

“Everything I do, I represent royalty because I am royal,” he says.

“Royalty isn’t something I wear only on the runway. It is who I am every day. Whether I’m in class at Bulawayo Polytechnic, walking through my community or standing on a pageant stage, I carry myself with dignity because royalty lives within me. No one can take that away.”

In a world increasingly fascinated by appearances, Nkosikhona Khumalo offers a refreshing reminder that the most enduring crown is the one forged through character. His journey is not simply about fashion or pageantry—it is about redefining what it means to be regal in the modern age. For him, the crown has never rested on his head.
It has always resided within.

Rushon Ganyo: Walking with Purpose, Designing with Legacy

Zimbabwe’s fashion industry continues to produce a new generation of creatives who are redefining what it means to be a modern African model.

Among them is Rushon Ganyo, a runway and commercial model whose journey extends far beyond the catwalk. Emerging as a fashion designer and stylist, Ganyo is building a career rooted not only in style and creativity but also in purpose. For him, fashion is a language of self-expression, a platform for storytelling and, above all, a tribute to the woman who first inspired his dream—his late mother.

Speaking to Fashion Inspirations Blog, Ganyo reflects on a career that began with a simple fascination for how clothing could transform confidence and communicate identity. What started with appearances at local fashion events has steadily evolved into a promising career that has seen him grace prestigious runways while developing his own creative voice behind the scenes.

“My journey into modelling began with a passion for fashion and self-expression. I was fascinated by how clothing can tell stories and build confidence. Every opportunity has helped me grow, and today I see modelling as more than walking a runway—it’s about representing creativity, professionalism and African excellence. Most importantly, I’m honouring my mother’s legacy by starting a fashion brand in her name. She was great behind the sewing machine,” he says.

That philosophy has accompanied him onto some of Zimbabwe’s notable fashion stages. His collaborations with acclaimed designer George Takora, including appearances at The Takeover fashion showcase, have strengthened his reputation as a disciplined and dependable runway model. One of the defining moments of his career came when he walked at the wedding of the Minister of Whitelinen, an experience he describes as both humbling and transformative.

“Working with George Takora was an incredible experience because of his attention to detail and commitment to excellence. Walking at the Minister of Whitelinen’s wedding taught me the importance of professionalism, discipline and confidence. High-profile events require you to represent not only yourself but also the designer and the occasion with grace and respect,” he explains.

Away from the runway, Ganyo’s personal style reveals another layer of his creative identity. Drawing inspiration from architecture, music, culture and everyday life, he believes fashion should never be confined to trends but should instead reflect individuality.

His work as an emerging designer and stylist allows him to experiment with silhouettes, textures and accessories while maintaining a refined aesthetic that remains true to who he is.
His presence at high-profile gatherings, including the Skeyi and Strobo Fabrik Party, has also shown him that the fashion industry extends beyond the runway. Whether attending as a featured model or simply as a guest, he views every event as an opportunity to build relationships, exchange ideas and celebrate the industry’s collective creativity.

“When I’m modelling, my responsibility is to deliver the designer’s vision with professionalism while strengthening my portfolio. As a guest, I have the chance to network, appreciate other creatives’ work and experience fashion from a different perspective. Both roles are valuable because they allow me to contribute to and learn from the industry,” he says.

For Ganyo, the learning never stops. He believes models should embrace every opportunity available to them, whether walking the runway or observing from the audience. Participation builds confidence, discipline and performance under pressure, while attending as a guest offers valuable lessons in styling, industry trends and creative collaboration.

Among the different branches of modelling, editorial photography presents the greatest challenge for the Zimbabwean creative. Unlike runway modelling, where movement defines the performance, editorial work demands emotion, expression and the ability to tell an entire story through a single frame.

“Editorial modelling challenges me because it requires storytelling through expressions, body language and emotion. It’s less about walking and more about creating powerful visual narratives. That challenge is helping me grow creatively,” he says.

Preparation remains central to every appearance he makes. Before stepping onto the catwalk, he studies international and local runway legends, practises his walk, maintains his physical fitness and ensures he is mentally focused before facing an audience.

“Once I step onto the runway, I trust my preparation and concentrate on presenting the designer’s work in the best possible way,” he says.

As his ambitions continue to grow, Ganyo hopes to collaborate with leading Zimbabwean fashion houses including Machuma, Ivhu Tribe, Zarguesia and Haus of Stone, while also working with photographers such as Dylan ShotIt, Lennox and CozyScott, stylist DarkHorse, and creative director Gilmore. Beyond Zimbabwe, he dreams of representing internationally recognised fashion houses including Balmain, Louis Vuitton and Rick Owens, believing every collaboration is another opportunity to evolve as an artist.

Looking back, he considers his appearance at the Minister of Whitelinen’s wedding one of the proudest moments of his career, alongside the satisfaction of seeing his own styling and design concepts come to life during editorial shoots.

“That moment reminded me that consistency and hard work open doors. Seeing my own styling ideas become reality also reminds me why I’m passionate about both modelling and fashion design,” he reflects.
To young Zimbabwean men dreaming of a future in fashion, Ganyo offers advice grounded in patience, discipline and authenticity.
“Believe in yourself and be patient with your journey. Success doesn’t happen overnight. Invest in your personal development, stay disciplined, remain professional and never stop learning. Don’t be afraid to start small because every opportunity builds experience. Most importantly, stay authentic and let your character speak as loudly as your talent. Zimbabwe has incredible potential, and I believe the next generation of models can make a global impact.”

As Rushon Ganyo continues to build his portfolio, expand his creative vision and honour the legacy that first inspired him, he represents more than the face of a new generation of Zimbabwean models. He embodies a future where fashion becomes a powerful expression of identity, purpose and African excellence—one confident stride at a time.

KNAN Collaborates with Underwear Model Stalline Kofi

Zimbabwean men’s underwear brand KNAN has announced a collaboration with underwear model Stalline Kofi in a campaign that celebrates confidence, comfort, and modern African masculinity. The partnership brings together one of Zimbabwe’s emerging fashion brands with a model recognised for his striking physique and growing presence in the modelling industry.

The collaboration is expected to showcase KNAN’s premium underwear collection through editorial campaigns and promotional content designed to highlight quality, style, and self-confidence. By choosing Stalline Kofi as the face of the campaign, the brand reinforces its commitment to representing bold, authentic, and fashion-forward African men.

As Zimbabwe’s fashion industry continues to expand, collaborations between local brands and professional models are becoming increasingly important in raising the profile of home-grown labels. KNAN has established itself as a Zimbabwean men’s underwear brand focused on stylish, comfortable essentials, making this partnership another step in strengthening its identity within the country’s growing fashion sector.

The KNAN–Stalline Kofi collaboration reflects a new era of Zimbabwean fashion, where local talent and local brands are working together to create products and campaigns that can compete on the regional and international stage.

Tafadzwa Muzeya: Zimbabwe’s Emerging International Runway Ambassador

As Zimbabwe’s fashion industry continues to earn recognition beyond its borders, a new generation of male models is stepping confidently onto the international stage. Among them is Tafadzwa Muzeya, a model whose growing portfolio reflects the determination, discipline and professionalism required to compete in today’s global fashion industry.

With an impressive runway presence and the ability to adapt effortlessly to diverse fashion aesthetics, Muzeya has become one of Zimbabwe’s promising faces in commercial and high-fashion modelling. His journey has been built on consistency, embracing opportunities that have allowed him to refine his craft while representing Zimbabwean creativity on some of the country’s most respected fashion platforms.

Muzeya has established himself as a familiar face at Zimbabwe Fashion Week, where he has walked for a number of leading designers, demonstrating versatility across contemporary, couture and Afro-inspired collections. His confidence on the runway and ability to interpret each designer’s vision have earned him recognition within the fashion community and positioned him as one of the country’s rising male modelling talents.

Throughout his career, he has collaborated with an impressive list of designers and fashion houses, including Hilz Couture, Kidd Hunta, Seguru, GLC Exclusive, House of Queen Bee, Urban Zulu, Afro Jumbo, Costavina and Terry Thobani. Each collaboration has expanded his experience, allowing him to transition seamlessly between editorial campaigns, commercial assignments and high-end runway presentations.

Beyond the catwalk, Muzeya represents a new generation of Zimbabwean models determined to compete on the international stage. His career reflects the growing influence of Zimbabwe’s fashion industry, where local talent is increasingly being recognised for its professionalism, creativity and ability to meet international standards. As African fashion continues to attract global attention, models like Muzeya are helping to showcase Zimbabwe as a source of exceptional modelling talent.

His ability to embody different styles—from classic tailoring and luxury couture to contemporary African fashion—has made him a favourite among designers seeking a model who can bring garments to life with confidence and authenticity. Every appearance on the runway reinforces his commitment to excellence and his ambition to build a career that extends beyond Zimbabwe’s borders.

While his journey is still unfolding, Tafadzwa Muzeya continues to prove that international success begins with dedication, resilience and a willingness to embrace every opportunity. As Zimbabwe’s fashion industry expands its global footprint, he stands among the young professionals poised to carry the country’s modelling excellence onto runways across Africa and, ultimately, the world.

For Tafadzwa Muzeya, modelling is more than walking a runway—it is about representing Zimbabwe with pride, inspiring the next generation of models and demonstrating that local talent has the potential to shine on the international fashion stage.

THE HOUSE THAT BECAME HAUTE COUTURE: HOW THEMBANI MUBOCHWA TURNED A BULAWAYO HOME INTO AFRICA’S MOST INTIMATE ATELIER

In July, behind the gates of a quiet Bulawayo suburb in the City of Kings and Queens, something unprecedented happened. The sound of sewing machines replaced the sound of dinner conversation. Mannequins stood where family portraits usually hang. Bolts of South African wool and silk were unrolled across dining tables. For four days, a private home ceased to be a home and became Africa’s most intimate atelier.

This was not a campaign shoot. This was not a brand activation in a hotel ballroom. This was Thembani Mubochwa and Afro Jumbo Bespoke moving in.

The hosts were the Sibanda family, proprietors of Epic Restaurant, one of Bulawayo’s most enduring hospitality institutions. They did something no family in Zimbabwe, and few on the continent, had ever done: they opened their doors and let a global design house live with them.

What Mubochwa calls “part of the process” became a cultural first for Bulawayo. And in doing so, it may have quietly redefined what African luxury looks like in 2026.

From the moment the Afro Jumbo team arrived, the house began to transform. The living room was cleared and relit to become a fitting salon. Bedrooms were converted into workspaces with cutting tables and steamers. A guest room was reserved so the team could rotate rest between 22-hour workdays. They would sleep for two hours, then return to draping, pinning, and refining. The Sibandas matched that pace. Meals were shifted. Routines were paused. The entire household began to orbit around the making of clothes.

It was deliberate. For Mubochwa, bespoke has never been about measurements alone.

“We have worked this way since 2012,” he told during a rare break between fittings.

“Anyone can take your size in 15 minutes. But to understand how a garment should live with you, you must understand how you live. We watch how you sit. How you walk from the kitchen to the lounge. How you hold yourself when you are not performing. That is what makes the clothes honest.”

That honesty required proximity. And the Sibandas gave it.

For Mrs. Sibanda, the experience dismantled every idea she had about luxury.

“It was an experiment, but it became a lifestyle,” she said. “This is the first time a designer has come into my private space to build my wardrobe. I would walk in and see my fabric being cut where I usually have coffee. I filmed it. I didn’t think it was possible to have that level of exclusivity in your own home. The house was not invaded. It was elevated. It felt like the house itself was being dressed.”

From that elevation came eleven pieces. Not a collection in the runway sense. A wardrobe. Each garment made for one person, for one life.

Mr. Sibanda commissioned four pieces. The brief was not dictated. The direction was. Africanism, but filtered through a West African sensibility. Bold shoulders. Deep earth tones. Textures that referenced royalty without quoting it. Mrs. Sibanda received six designs. Each one explored modern African femininity — clean lines, fluid movement, and a kind of elegance that does not ask for attention but commands it. Mr. Sibanda’s elder brother was also fitted for a single suit, cut to mark the occasion.

What made the process unusual was the trust. Mr. Sibanda, a businessman known for building one of Bulawayo’s most prominent brands, stepped back.

“This is the first collaboration of this scale between Bulawayo and Thembani and his team,” he said. “I did not give design instructions. I gave trust. That is rare. And I will do it again. This is how we should be working with our own.”

For Mubochwa, Bulawayo represents both a homecoming and a progression. Afro Jumbo Bespoke was founded in 2012 on one principle: take the atelier to the client. The model has taken him to boardrooms with Philip Chiyangwa, to stages with Jah Prayzah, to state functions with Minister Oppah Muchinguri. Across the border, his work has dressed Vuyo Mokwena and the late Sifiso Ncwane. The names are familiar. The method is not.

Most luxury houses fly clients to them. Mubochwa flies his team to you. And in Bulawayo, he stayed.

That decision carries weight in a city that protects its heritage fiercely. Bulawayo has always understood craftsmanship. It is a city of tailors, of leatherworkers, of builders. But it has rarely seen a global brand set up inside a family home and treat it as sacred ground. The symbolism was not lost on residents who watched cars and fabric deliveries arrive over nearly two weeks.

Beyond the technical work, the project became about relationship. Fabric was chosen not only for hand and drape, but for meaning. A cloth was rejected because “it didn’t feel like her.” Another was selected because “it looked like something he would wear to close a deal.”

Conversations happened over tea. Fittings happened between school runs. The line between client and collaborator disappeared.

That is the point Mubochwa has been making for over a decade. Luxury, in the African context, cannot be imported and dropped. It has to be lived in to be understood.

“This is not about copying Paris,” he said. “Paris is brilliant. But we have our own way. Our climate, our posture, our occasions. The clothes must answer to that. And the only way to answer is to be here.”

As the final hems were pressed and the last swatches packed, one thing was clear to everyone in the house: this was not an ending. Mr. Sibanda confirmed plans for future collaborations. The team left behind more than garments. They left behind a new reference point for what is possible in Zimbabwe.

For fashion inspirations, witnessing the process underscored a larger truth. For years, African luxury has been defined by where we go to buy it. Now it is being defined by who comes to us. By who learns our stories and translates them into cloth.

In a city known for kings and queens, the Sibandas were not given a title. They were given something more personal. Eleven pieces made nowhere else, for no one else, in the place they call home.

And with that, Bulawayo did not just host a designer.
It set the bar.

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Liam van Vuuren’s Mission to Inspire Through Mister South Africa

After earning some of South Africa’s most respected male pageantry titles, Liam van Vuuren believes his greatest challenge still lies ahead. The holder of Mr Central South Africa, Sir South Africa 2023, and Sir Top Model 2025 is now vying for the coveted Mister South Africa title—not to add another crown to his collection, but to use the platform to inspire young people and create meaningful social change.

For Van Vuuren, every title he has worn has carried far more than prestige. It has taught him that leadership begins with responsibility.

“Every title I’ve been fortunate enough to hold has taught me that representation comes with responsibility,” he says. “Every appearance, every conversation and every decision reflects not only on you, but also on the people who believe in you and support your journey.”

He believes that true leadership is not measured by status or recognition, but by service, consistency and the ability to positively influence others. Whether mentoring young people, supporting community initiatives or simply encouraging someone to believe in themselves, Van Vuuren says success is ultimately measured by the number of lives one impacts.

Known for his polished and sophisticated style, Van Vuuren views fashion as much more than clothing. To him, it is a language that speaks before words are exchanged.

“Fashion is one of the most powerful forms of self-expression because it tells people something about you before you’ve even introduced yourself,” he explains.

While he enjoys keeping up with trends, he insists authenticity always comes first. His wardrobe ranges from timeless tailoring to bold contemporary designs, reflecting his belief that confidence comes from embracing individuality rather than trying to fit into society’s expectations.

Away from the runway, dance has also played a significant role in shaping his confidence and stage presence. He credits movement with teaching him discipline, body awareness and the ability to communicate emotions without saying a word.

“Dance taught me that confidence isn’t something you wear. It’s something you embody,” he says. “Whether you’re on a dance floor or a runway, people respond to your energy long before they notice what you’re wearing.”

His journey in modelling has also inspired a deep passion for community development. Van Vuuren’s campaign, “Shift Happens,” is built around the idea that meaningful change begins with changing one’s mindset.

He is particularly passionate about youth empowerment and tackling unemployment in South Africa, believing the country must focus on creating entrepreneurs and innovators instead of simply producing job seekers.

“We have an incredibly talented generation,” he says. “If I can encourage even one young person to see possibility where others see obstacles, then I’ve used my platform well.”

Although male modelling in South Africa has grown significantly, Van Vuuren believes the industry is still evolving. Encouragingly, he says the public is beginning to look beyond physical appearance and is increasingly interested in what male models stand for.

“People are asking better questions,” he explains.

“They’re asking how models lead, how they use their influence and what impact they’re making. That’s a positive shift.”

Behind the glamorous photographs and runway shows, however, lies a demanding profession that requires resilience, discipline and sacrifice. Van Vuuren admits there were many moments when he had to create opportunities for himself because none existed.

“People don’t see the long hours, the financial investment, the setbacks or the emotional challenges,” he says. “Success has very little to do with perfection and everything to do with persistence.”

To aspiring models who lack financial resources, his advice is simple: start with self-development.

“Invest in yourself before you invest in your image,” he says. “Build your confidence, professionalism and communication skills. Your journey may take longer, but where you start should never determine where you finish.”

If crowned Mister South Africa, Van Vuuren hopes to establish mentorship programmes, workshops and networking opportunities that make the modelling industry more accessible to talented young people from disadvantaged communities.

For him, however, the greatest legacy would not be measured by trophies or titles.

“My success won’t be measured by how many people know my name,” he says. “It will be measured by how many people leave believing in their own potential.”

As he prepares for the Mister South Africa competition, Liam van Vuuren remains driven by a simple but powerful belief: a person’s circumstances should never define the size of their dreams.

Through leadership, authenticity and service, he hopes to prove that the true value of a title lies not in wearing a crown, but in using it to create opportunities and inspire others to believe in themselves.

What’s up, it’s Adrian “Dray Virus” Zw — founder of Making Moves and Voltage Crew Reloaded. As we mark Men’s Mental Health Month and Father’s Day, Fashion Inspirations sat down with me for a real talk. For years, dance and fitness have been my therapy, my discipline, and how I stay sharp mentally when the pressure hits. But it’s bigger than me. Too many fathers and young men in Zimbabwe carry stress in silence, thinking strength means holding it in. In this Q&A, I open up about how movement protects my mind, what fatherhood taught me about responsibility and love, and why staying active, connected, and emotionally honest is the real flex. If you’ve ever felt overwhelmed, this one’s for you. Let’s move, let’s talk, let’s grow.

Q.As we mark Men’s Mental Health Month, how has dance and fitness helped you maintain your mental and emotional well-being throughout your career?

A.Dance and fitness have been my therapy for many years. Whenever I am stressed, overwhelmed, or facing challenges, movement allows me to release pressure in a positive way. Dance gives me freedom of expression, while fitness helps me stay disciplined and focused. Together, they have helped me build resilience, confidence, and a healthy mindset throughout my career. They remind me that taking care of your body is also taking care of your mind.

Q.Many men suffer from stress and depression in silence. What message would you give to men who are struggling but afraid to speak up or seek help?

A.My message is simple: speaking up is not a sign of weakness; it is a sign of strength. Too many men feel they must carry every burden alone, but the truth is that we all need support sometimes. Whether it’s a friend, family member, mentor, or professional, reaching out can make a huge difference. You don’t have to fight every battle by yourself. Your mental health matters, and asking for help is one of the bravest things a man can do.

Q.How effective is dance as a tool for reducing stress, anxiety and the pressures of everyday life?A.Dance is incredibly effective because it combines physical activity, creativity, and social interaction. When you dance, your focus shifts away from worries and toward the present moment. It releases endorphins, boosts mood, and helps reduce tension. For many people, including myself, dance creates a safe space where they can express emotions they may struggle to put into words. It is one of the most powerful and accessible tools for improving mental well-being.

Q.Through your work with Making Moves, what changes have you witnessed in people’s confidence, happiness and overall mental health after embracing fitness and dance?A.The transformations have been inspiring. I’ve seen people who started with low confidence become more outgoing, energetic, and self-assured. Many have told me that fitness and dance helped them overcome anxiety, improve their self-esteem, and find a supportive community. Beyond physical results, the biggest changes are often emotional—people smile more, believe in themselves more, and approach life with a more positive outlook.

Q.What does fatherhood mean to you?A.Fatherhood means leadership, responsibility, love, and being present. It is about guiding, protecting, and supporting your children while also setting a positive example through your actions. Being a father is not just about providing financially; it is about creating meaningful memories, teaching values, and helping your children grow into confident and responsible individuals.

Q.In your opinion, what are some of the biggest mental health challenges facing fathers and gentlemen in today’s society?A.Many fathers and men face pressure to provide, succeed, and remain strong at all times. Financial stress, work demands, family responsibilities, and societal expectations can create significant mental strain. Unfortunately, many men still feel uncomfortable discussing their emotions, which can lead to isolation and silent suffering. We need to create environments where men feel safe to express themselves without fear of judgment.

Q.How can fathers and young gentlemen use activities such as dance, exercise and fitness to strengthen bonds with their children and families?A.Physical activities create opportunities for connection. Whether it’s dancing together at home, taking walks, exercising, or participating in community events, these shared experiences build trust, communication, and lasting memories. They also promote healthy lifestyles and show children the importance of taking care of both their physical and mental health. Families that move together often grow stronger together.

Q.Most of your clients are women. What lessons have you learned from working with women that have influenced your approach to wellness and personal growth?A.Working with women has taught me the importance of empathy, consistency, and emotional awareness. I’ve learned that wellness is not only about physical results but also about confidence, self-love, and emotional well-being. Women often demonstrate incredible resilience and determination, and those qualities have inspired me to approach personal growth with greater patience, understanding, and balance.

Q.Looking back on your journey with Voltage Crew Reloaded and Making Moves, what role has discipline played in protecting your mental health and achieving success?A.Discipline has been the foundation of everything I’ve achieved. Motivation comes and goes, but discipline keeps you moving forward even on difficult days. It has helped me maintain healthy routines, stay focused on my goals, and manage stress more effectively. Through both Voltage Crew Reloaded and Making Moves, discipline has allowed me to grow professionally while protecting my mental and emotional well-being.

Q.As we celebrate Father’s Day and Men’s Mental Health Month, what final message would you like to share with fathers, young men and aspiring dancers across Zimbabwe?A.I want to encourage every father, young man, and aspiring dancer across Zimbabwe to believe in themselves and never stop growing. Take care of your mental health just as seriously as your physical health. Do not be afraid to ask for help, learn from others, and pursue your passions. Stay disciplined, stay active, and stay connected to the people who support you. Success is not just about achievements—it is about becoming the best version of yourself while uplifting those around you. Keep moving, keep dancing, and keep inspiring the next generation.

Fatherhood, Legacy and Family First: A Conversation with Future Nyoni

As the world celebrates Father’s Month, we sat down with Future Nyoni, former Mister Africa International Zimbabwe, devoted family man, and proud father of two boys. Known for his achievements in the modelling industry and his commitment to personal growth, Future says his greatest title is not one earned on the runway, but one he carries every day—being a father.
In this exclusive interview, he shares his thoughts on fatherhood, raising sons, and the values he hopes to pass on to the next generation.

Q: Future, many people know you as a former Mister Africa International Zimbabwe. How would you introduce yourself today?
A: Today, above everything else, I am a father. While modelling and representing Zimbabwe on international platforms has been an incredible journey, my most important role is being a dad to my two boys. Family comes first for me. Everything I do is inspired by the desire to provide, protect and create a better future for my children.

Q: What does being a father of two boys mean to you?
A: It means responsibility, leadership and unconditional love. Raising two boys is both a privilege and a challenge. Every day I am reminded that they are watching me, learning from me and looking up to me. Being their father means setting a positive example through my actions, not just my words. It is one of the most rewarding experiences of my life.

Q: How has fatherhood changed you as a man?
A: Fatherhood has made me more patient, more intentional and more focused. Before becoming a father, many decisions were about me. Now, every decision I make considers my children and their future. It has taught me the importance of sacrifice and has given my life a deeper sense of purpose.

Q: What values are you hoping to instill in your sons?
A: Respect, discipline, honesty and kindness. I want them to understand that true strength comes from character and integrity. I also want them to appreciate hard work and never be afraid of challenges. Most importantly, I want them to know the value of family and treating others with dignity.

Q: What are some of the biggest lessons fatherhood has taught you?
A: One lesson is that children do not need perfection; they need presence. Being there for them matters more than anything else. Another lesson is that parenting is a continuous learning journey. No one has all the answers, but every day presents an opportunity to become a better parent.

Q: As a public figure, how do you balance your career and family life?
A: Balance comes through prioritisation. There will always be commitments, events and work responsibilities, but I make sure family remains at the centre of everything. Quality time with my children is non-negotiable. Success means very little if you do not have meaningful relationships with the people you love.

Q: What does Father’s Month mean to you?
A: Father’s Month is a time to celebrate and appreciate fathers who work tirelessly for their families. It is also an opportunity to encourage men to be active and present in their children’s lives. Fatherhood is not only about providing financially; it is about emotional support, guidance and being there through every stage of a child’s growth.

Q: What message would you like to share with fathers across Zimbabwe and beyond?
A: To every father, remember that your presence matters. Your children may not remember every gift you buy, but they will remember the time you spent with them, the lessons you taught them and the love you showed them. Continue leading with purpose, patience and compassion. The impact of a good father lasts for generations.

Q: Finally, how would you like your sons to remember you one day?
A: I hope they remember me as a loving father who always put family first. A man who worked hard, stayed true to his values and supported them in becoming the best versions of themselves. If they grow into respectful, confident and compassionate men, then I will feel that I have fulfilled my purpose as a father.


“Family comes first. Always.” – Future Nyoni

In an era where African fashion is increasingly commanding global attention, few brands are telling the continent’s story with as much authenticity and purpose as Ivhu Tribe. Fresh from a captivating solo showcase themed “Son of the Soil,” the brand delivered more than just garments on a runway—it presented a living narrative of ancestry, sustainability, identity, and pride.

Rooted in African heritage yet boldly contemporary, Ivhu Tribe continues to challenge perceptions of what African fashion can be. My Afrika Magazine reporter Tapiwa Rubaya (TR) sat down with the creative force behind the brand to discuss the inspiration behind the showcase, the unforgettable moments backstage, and the ambitious dreams driving Ivhu Tribe onto the global stage.

TR: What part of your African roots inspired the “Son of the Soil” theme most for this showcase?
IT: The “Son of the Soil” theme was deeply inspired by our connection to the land—our ancestry, our stories, and the resilience embedded in African identity. It reflects the beauty of being grounded in where we come from and honouring that through fashion that feels both ancestral and contemporary.

TR: What’s one sustainable material or technique from this collection that surprised people the most?
IT: One of the most surprising elements for many people was our use of raw, earth-inspired textures and repurposed materials. Seeing organic elements transformed into high-fashion silhouettes really challenged expectations of what sustainable African fashion can look like.

TR: What was the feeling backstage right before the models hit the runway this past weekend?
IT:Backstage was electric—there was a mix of nerves, excitement, and great pride. It felt like a sacred moment, almost spiritual. Everyone understood that we weren’t just putting on a show; we were telling a story that mattered.

TR: Which piece from the Ivhu Tribe collection felt the most “you” when you saw it come alive on stage?
IT:The highlight of the night for me was the “Son of the Soil” unraveling piece, brought to life by Charlotte, who embodied the role of a model statue throughout the showcase. That piece was incredibly personal—I created it using hosho baobab material and a blend of raw, organic elements. Watching it unravel on stage felt symbolic, like revealing layers of identity, history, and connection to the land. It wasn’t just a garment—it was a living expression of everything Ivhu Tribe stands for.

TR: If you had to describe the Ivhu Tribe aesthetic in three words to someone who missed the show, what would they be?
IT:Rooted. Bold. Intentional.

TR: What was the moment during the showcase when you heard the crowd react the loudest?
IT: The loudest reaction came during one of the statement pieces that fully captured the essence of “Son of the Soil.” It was dramatic, unapologetic, and deeply African. You could feel the audience connect with it instantly.

TR: What’s one way someone can style an Ivhu Tribe piece in their everyday life, not just on the runway?
IT:An Ivhu Tribe piece can be styled effortlessly into everyday life by pairing it with simple, modern basics—like denim or neutral tones—allowing the piece itself to remain the focal point while still feeling wearable and authentic.

TR: After pulling off a solo showcase, what’s one dream you have for Ivhu Tribe this year?
IT:After successfully executing a solo showcase, my dream for Ivhu Tribe this year is to take the brand onto international platforms—sharing our story globally while staying true to our roots. I want Ivhu Tribe to be part of the larger conversation about African fashion, sustainability, and identity.

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Stalline Kofi: The Confidence Code
Zimbabwe’s underwear model breaking taboos, loving his melanin, and rewriting what African masculinity looks like

Stalline Kofi doesn’t ask for space — he takes it. In a country where seeing an African man in underwear still sparks whispers of “taboo” and “culture,” the Zimbabwean model walks onto set with the calm of someone who already knows the outcome: he belongs there.

We sat down to talk about the cost of confidence, the noise of criticism, and why melanin isn’t a limitation — it’s the selling point. From dodging labels about masculinity to rejecting bleaching, Stalline isn’t just modeling briefs. He’s modeling what it looks like to choose yourself first.

His message is blunt and freeing: “When you’re different, you stop trying to fit in. That’s freedom.” For the next guy watching him, that difference might be permission to start.

Q&A: Underwear Modeling, Confidence & Culture

Q: what keeps you confident and not shy as a underwear model?
A: I believe doing things I like makes me confident. I know I’m a star and a star is always different. Being an underwear model makes me different. When you’re different, you stop trying to fit in. That’s freedom.

Q: What criticism have you received from the public and how have you overcome them?
A: As Africans we have certain cultures we respect and follow. It’s taboo seeing a man in underwear — people jump to “he’s gay” or “he’s disrespecting culture.” That’s the noise. I’ve learned this: be good or be bad, people will talk. What keeps me going is the mirror. When I look at myself, I love what I see. Criticism or not, I still love that man. That’s the whole game.

Q: Who’s shaping your eye for this? Who’s your reference point in underwear modeling?
A: Sergkorneff. His control, his posture, the way he makes simplicity look expensive. He taught me that underwear modeling isn’t about showing skin — it’s about showing presence.

Q: Beyond the photos, what does prep look like? Most people think it’s just gym and good lighting.
A: Discipline, honestly. Sleep, water, knowing your angles, and mental prep. You have to walk onto set already believing you belong there. The camera catches doubt. If you don’t love yourself before the shoot, the audience won’t love you after.

Q: Let’s talk skin. You’ve been vocal about men bleaching to book more commercial work. What’s your take?
A: As an African man I love my skin. Bleaching might look good for a week, but it destroys you long-term. I’ve worked with brands that specifically want melanin skin because it reads real, it reads premium. So it’s not about light or dark — it’s about confidence. Brands buy the energy you bring, not the shade you’re trying to be.

Q: Last one. You said being an underwear model makes you “different.” What do you want that difference to mean for the next guy watching you?
A: That you don’t need permission. If your difference makes people uncomfortable, good. That means you’re doing something new. Own it, refine it, and make them pay attention. The world doesn’t need another copy. It needs you.

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